Micro-sleep #5: Performance Notes on Let The Right One In

I'm currently generating lists of notes every day. While they are useful to me they are incredibly boring out of context so, lets... zzzz

On a Sleepytime Microsleep

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Transcript

SPEAKER_01 0:20

Good evening. And welcome to Dan Bane's Sleepy Time Mumbles. A podcast you can miss. I'm Dan Bane, and every episode I improvise a low stakes podcast for you to fall asleep to. This is Micro Sleep Number Five. Notes on the Theatrical Performance of Lit the Right One In. Now close your eyes. Turn off your screens. Put down your phone. Now it's time to be mumbled to sleep. Currently I'm directing the stage adaptation of the cult Swedish book and then film with the right one in. Here are some notes I've taken while directing the performance of the show for the Court Theatre Christchurch. Bradley, get you out of school. Winching Reorder Unpacking. I don't like the percussive jump. More rocks, less contemplating the rocks. Detailing number two stakes slash emotion. A good dot dot dot puzzle. R a bit disheveled for the drunk. B formalize stealing. Start lines a little earlier. Mum Hay Hey Forehead Kiss Hakan etc Visual Reference Sweets Slash Transactions Formalize Set Moves Afile of this killer B less hot coming in Sand Eating Eat the Sand. Then you should come sit up here, then move. How band-aid A and S chair entrance delay Q on all rope out and kneel hat. There's an extra beat at the end of Gym Number One. Oscar returns Bombs for Rocks Eat the Sand Inside the Structure for Rubik's Number One Timing On Hang equals infected bandage slash move slash not so nice B Laughing in bed No Band Aid B flappin' Band Aid can't be in bed add to transition Jim Precision of Circuits Jumping Practice We need practice aka practice jumping at school Ice struggles are looking chaotic Branch hit not looking good overcooked dancing too pushed Be still on Faber opening Oscar more asleep on knock Catch face for first time Sheath and pull out sword on second sword good out of Dad Oscar slash anger slash energy Boop de Boop A in Little Further Corner J in not there B on voice B process before knife knife tries to go and pocket B kill them like pigs S interrupt interrupt on can't be friends B preempt entrance B two play out Check in probably looking I'll pick up the rocks go to move stop him B What if he's crying when he comes in Playground two drama slash conflict passive general note connection between the disconnected This is all part of the same question A careful with comedy dad on eating catch S Bias over outside on start rather than inside edge B and S out on Band Aid But Eura dot dot question what slash this needs to be hard interrupt Book S invisible joke rather than puzzlement SA softer in the background SA standing I'm not getting either of you Towel Whip Tip head back over bench open this out ticket allocation radio ad finals approve box office resources delay entrance B start in playground for snap transition ice outro transition checkers she's very good don't drop into film general note close gate on transition into pull B cross deeper on key remove N Woo good.